ZH Na Ting original designer women's clothing from the traditional Hanfu to the Qing Dynasty's super robe, cheongsam, the use of these high slits is obvious in people's sight. The high split is very easy to understand because of its visually perfect stretching effect. In the pursuit of comfortable wearing, the summer high slit is also a feeling of wearing under the wind.
The Chinese street fashion in my heart should be internationalized, and integrate into Chinese style and culture on the basis of learning the tide of the day and the tide of beauty. It's not as simple as printing a few traditional Chinese characters, or abusing Chinese traditional elements. The national tide does not know when it has become a style, but it has lost what it should be. This time, Natin will discuss with you the use of design elements of the national tide.
The crane is the best fairy animal in Chinese traditional culture, representing long-lasting eternity and a symbol of rights. Nowadays, many Chinese designs use this national culture totem to express the brand's concept, replacing the western patterns such as leopard print and zebra pattern.
The design of the straps has been around for a long time, and it is the evolution of Hanfu and traditional Chinese elements. Comfortable to wear, the fairy is above the dress. Perhaps the wearer is not just wearing it, but looking for a unique way of thinking. This may also be why more and more people are popularizing the country as a style.
The high-split design is not a product of the West, but a Chinese element that has a long history. From the traditional Hanfu to the Qing Dynasty's super-robes, cheongsam, the use of these high-splits is obvious in people's sights. The high split is very easy to understand because of its visually perfect stretching effect. In the pursuit of comfortable wearing, the summer high slit is also a feeling of wearing under the wind. In short, the national tide is a cultural design that needs to be cultivated. It is definitely not the embodiment of the words flowing on the surface. Yes, but the beauty of Natin shines because of the people he loves.
As a Chinese original designer, Nading has always wanted to inherit the design concept of the East, apply Oriental aesthetics to wear, and look for Chinese and Western wear on the line and segmentation geometry. Maybe I can't be recognized by everyone, but Nathan's beauty society shines because of the people I love.
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